Winter 2007 - Contents
(click on links to view articles)


Welcome...

Winter solstice
Winter recipesapple scones & spiced wine
Weld Echo reflections (by Peachy & Jenny)
Art from Trash
Changes to electoral system
Xavier Rudd supports Tassie's forests (by Lilia Letsch)
Songs for Tassie's forests
The River of Life (by Starhawk)
Weld Valley campaign news (by Jenny Weber)
Southwood, the veneer peeled back (by Will Mooney)
Forestry Tasmania reveals change to three year plan (by Will Mooney)
Logging crimes in the Arve Valley (by Jenny Weber)
The trouble with palm oil (by the Palm Oil Action Group)
The universe responds (by Alice Walker)


The Huon Valley Environment Centre takes no responsibility for the opinions expressed within.
Opinions are those of the author alone.


The HVEC would like to acknowledge the traditional owners of this island





Welcome to Havoc...


As always the HVEC crew have been very busy over the past few months, and in this season's Havoc you can read all about it!
Volunteers have been working hard on forest campaigning, environmental art exhibitions, networking with supporters around Australia, and much, much more.
The space will be going through a transformation soon due to the loss of storage space in the garage and garden. Any fresh enthusiasm for making the space spiffey and inviting is always welcome. The winter growth in the garden needs some keen hands too!
Contributions to Havoc are always excitedly received. If you are an artist/doodler/writer/ poet, and have something you would like to contribute to the Spring edition of Havoc, please get in contact through my email: tasquoll@gmail.com , or phone the environment centre. Deadline for the spring edition is September 10.
We hope everyone is having a cuddly winter, enjoy the Silver Wattle blossoms when they come out!
Warm winter wishes....Lilia Letsch (Havoc editor)
P.S. Check out Jenny Weber's article about the Weld Valley in the latest Earth First! Journal

NEW INITIATIVES AT THE ENVIRONMENT CENTRE

Political Theatre:

A new politically motivated street theatre group will be running regular training sessions from the Environment Centre. The aims are to be able to produce some short pieces that can be presented at various local events - as well as to have fun and build up people's confidence and skill level. Interested? Contact Peachy: reachpeach@gmail.com

Learning Respect:

Is a new group that has formed with the aim to focus on learning, understanding and respecting local Indigenous peoples, the Indigneous history and culture of this area and ways we can all contribute to the reconciliation and healing process. Next meeting 20th July, 7- 9pm at the HVEC. Bring a plate of food to share.

Volunteers wanted for helping with Forest Defender Fund:

Anyone interested in joining a collective to organise fundraisers and managing Forest Defender Fund, please email centre@huon.org

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Winter Solstice
Shortest day of the year - Thursday 21st June


In pre-historic times, winter was a very difficult time for people in the northern latitudes. The growing season had ended and the tribe had to live off of stored food and whatever animals they could catch. The people would be troubled as the life-giving sun sank lower in the sky each noon. They feared that it would eventually disappear and leave them in permanent darkness and extreme cold. After the winter solstice, they would have reason to celebrate as they saw the sun rising and strengthening once more. Although many months of cold weather remained before spring, they took heart that the return of the warm season was inevitable. The concept of birth and or death/rebirth became associated with the winter solstice. Winter solstice has been celebrated all over the world for many centuries, in many different ways:

ANCIENT BRAZIL: Brazilian archeologists have found an assembly of 127 granite blocks arranged equidistant from each other. They apparently form an ancient astronomical observatory. One of the stones marked the position of the sun at the time of the winter solstice and were probably used in religious rituals.

ANCIENT GREECE: The winter solstice ritual was called Lenaea, the Festival of the Wild Women. In very ancient times, a man representing the harvest god Dionysos was torn to pieces and eaten by a gang of women on this day. Later in the ritual, Dionysos would be reborn as a baby. By classical times, the human sacrifice had been replaced by the killing of a goat. The women's role had changed to that of funeral mourners and observers of the birth.

DRUIDISM: Druids and Druidesses formed the professional class in ancient Celtic society. They performed the functions of modern day priests, teachers, ambassadors, astronomers, genealogists, philosophers, musicians, theologians, scientists, poets and judges. Druids led all public rituals, which were normally held within fenced groves of sacred trees. The solstice is the time of the death of the old sun and the birth of the dark-half of the year. It was called "Alban Arthuan by the ancient Druids. It is the end of month of the Elder Tree and the start of the month of the Birch. The three days before Yule is a magical time. This is the time of the Serpent Days or transformation...The Elder and Birch stand at the entrance to Annwn or Celtic underworld where all life was formed. Like several other myths they guard the entrance to the underworld. This is the time the Sun God journey's thru the underworld to learn the secrets of death and life. And bring out those souls to be reincarnated."

INCA RELIGION: The ancient Incas celebrated a festival if Inti Raymi at the time of the Winter Solstice. It celebrates "the Festival of the Sun where the god of the Sun, Wiracocha, is honored." Ceremonies were banned by the Roman Catholic conquistadores in the 16th century as part of their forced conversions of the Inca people to Christianity. A local group of Quecia Indians in Cusco, Peru revived the festival about 1950. It is now a major festival which begins in Cusco and proceeds to an ancient amphitheater a few miles away.

IRAN: Shabe-Yalda (a.k.a. Shab-e Yaldaa) is celebrated in Iran by followers of many religions. It originated in Zoroastrianism , the state religion which preceded Islam. The name refers to the birthday or rebirth of the sun. People gather at home around a korsee -- a low square table -- all night. They tell stories and read poetry. They eat watermelons, pomegranates and a special dried fruit/nut mix. Bonfires are lit outside.

INDIGENOUS AMERICANS: The Pueblo tribe observe both the summer and winter solstices. Although the specific details of the rituals differ from pueblo to pueblo, "the rites are built around the sun, the coming new year and the rebirth of vegetation in the spring....Winter solstice rites include...prayerstick making, retreats, altars, emesis and prayers for increase."
    The Hopi tribe "is dedicated to giving aid and direction to the sun which is ready to 'return' and give strength to budding life." Their ceremony is called "Soyal." It lasts for 20 days and includes "prayerstick making, purification, rituals and a concluding rabbit hunt, feast and blessing..."

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Winter Recipes


Apple Scones
1 medium-sized organic apple
2 cups organic plain flour
3 tsp baking powder
2 tblsp organic sugar
1/2 tsp ground cinnamon
1/2 tsp salt
6 tblsp organic butter or nuttlex
1/2 cup raisins
1/4 cup apple juice

Peel, core, and mince the apple. Preheat the oven to 200 degrees Celsius (400 F). Mix the flour, sugar, baking powder, cinnamon, and salt. With a pastry blender, or your fingers, cut in the butter/nuttlex. Stir in the apples and raisins. Add the apple juice to stiffen the dough.
Turn the dough out onto a floured surface. Roll the dough to about 1/2 inch (1.25 centimeter) thickness. Cut into triangles or into shapes with cookie cutter. Bake on an ungreased baking sheet for 10 minutes or until light brown.


Spiced / Mulled Wine
8 cups (2 litres) cheap red wine
1/2 cup sugar
8 sticks cinnamon
10 whole cloves
4 star anise
pinch of nutmeg
4 slices orange and/or lemon peel
1 tblsp fresh lemon juice
2 tblsp fresh orange juice

Mix all above ingredients in a large saucepan. Cover and simmer for 1 hour. Serve warm.


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Weld Echo 2007 exhibition reflections

by Peachy



(Works: left to right - Lizard Gizzards by Aviva Hannah, Laid to Rest by Luke Hamilton, Incendiary Balls by Marcus Tatton)

Weld Echo 2007 was an outstanding success, and a great act of community expression and resistance over Forestry practices in Tasmania. 54 artists and over 100 art pieces were displayed in the exhibition that was held in the Long Gallery at the Salamanca Arts Centre in Hobart, from May 2nd - 13th.

The artistic focus on the Weld Valley Campaign and forestry practices provided an incredibly strong and emotive exhibition - which included paintings, photography, sculptural and multi media works, and the community response was incredibly supportive. Over 1000 people visited the exhibition over the 10 days it was exhibiting.

The opening night, which featured a presentation from Bob Brown, saw over 500 people attend. Jenny Weber, long time campaigner for the Weld Valley Campaign, was paid special tribute for her tireless and consistent efforts in fighting for protection for Southern Tasmanian forests.
A large number of the artworks were sold, which has meant that money has been raised to continue efforts to protect the Weld Valley. A big thank you to all the artists who contributed, the sponsors of the event, and the Black Sassy Collective who organised the exhibition. In particular a big thankyou to Jenny Weber, Lillia Letsch, Jasmine Wills, and Nicole Pietsch who worked incredibly hard to bring the event fruition.

Weld Echo...
by Jenny Weber

What a bonanza

People from everywhere all channeled energy in to the weld

Such a special thing to share

Took four activist grrls with zest to pull off

Working with love for a place so wild

Lots of liquor donated and food galore to feed people

then in came another grrl ready to help with vigour and love

printing late the night before opening after a few 12 hour days

giggles and glee as the paint didn't work

then the day came and so many activist kids to help put on a splendour

to celebrate the artists beautiful, strong, smiling people who said something for the weld

then to celebrate such an amazing place that is the weld forest

to see it on walls in the city in all it's guises

lizards, pirate ships, trees, lots of them, shapes, chainsaws, textures, colour, darkness,

our opening speech presented in such rigour by the inspiring wordsmith senator brown

seeing the faces of all of you who stood with smiles together you stood for the weld.

The doors were spilling with people everywhere, standing and greeting the incomers, they just kept coming and were caught by the powerful image of Weld Angel.

Then over the days people came and they kept on coming,

It was with sadness that we had to pack it down,

Though that was the only sadness we could have had in such a wonderful experience.

We carry that as a blessing in these times of despair and disillusionment when so much of the Weld is being smashed.

We loved the long gallery and will be back there again next year.

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Art from Trash
Resource Work Co-operative (a.k.a. the Tipshop) is holding the annual Art from Trash event again!

You can enter anything creative that you think is worthy - but it must be made from materials reincarnated from rubbish that you have salvaged or bought from a tipshop. Entry is open to all ages and must be original art.
To enter, you must fill in an entry form and hand it in along with the $15 entry fee by the due date. Entry forms are available from the South Hobart Tipshop or the City Resource shop. The conditions for entering artworks are on the entry form.

There are two steps to participate:

1. Get your entry form in by the 20th July.
2. Finish and deliver your artwork by 31st July.

Your entry must be delivered to the Long Gallery between 10 am and 3pm on Tuesday, 31st of July.

Opening night for the show is 6 pm on the 3rd of August at the Long Gallery, Salamanca.

For more information, call
Shar at Resource on 6234 3772
www.resourcetipshop.com

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Changes to the electoral system
A Federal Election is looming...are you enrolled to vote?
Do you realise that the electoral system has recently changed?

Liberal Senator for Tasmania Eric Abetz has been campaigning for years to change the way we enroll to vote, and recently he got what he wanted. On the day that the Federal Election is called the electoral roll will close for new enrollments at 8pm. This is a particularly big disadvantage to new voters and those of us who move houses regularly. So it is extra important to make sure you are enrolled correctly well before the election is called.
You can check your enrollment details by ringing up the Electoral Commission (03- 6233 3749), or using their online confirmation system on their website:

www.aec.gov.au

On their website you can also download a copy of the NEW enroll to vote forms. The old forms were green, but the new ones are purple. Old green forms will no longer be accepted when enrolling to vote. You can also get the new purple enroll to vote forms at the environment centre, post offices, and many government and politician's offices.
Don't let these changes to the electoral system take away your right to vote!
And remember, when the time comes to vote...

Vote for the earth!

Authorised by L.Letsch, 21 Lucas Rd, Lucaston.

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Xavier Rudd Supports Tassie's Forests
by Lilia Letsch

On the 7th of April acclaimed musician Xavier Rudd visited threatened forests in the Arve Valley, Southern Tassie. The area is only a thirty minute drive from the 'forest town' of Geeveston, and is home to some of the largest trees in Tasmania. Only recently the sixth largest tree in Tasmania, 'El Maestre', was found in the vicinity. Xavier visited the area on a beautiful sunny day with friends and volunteers from the Huon Valley Environment Centre, who have been campaigning for the protection of Tassie's threatened southern forests for the last five years.

Bare-foot, he scrambled down the road embankment straight into the depths of the dark ancient forest, with 400 year old tree ferns and Sassafras trees towering overhead. After a short walk we encountered a giant Eucalyptus regnans which was a welcoming place to sit and experience the beauty of the place. Xavier talked with forest activists and Indigenous community members about the power and importance of activism in the face of a world ruled by economic greed and big industry. He talked of how his upcoming new album "White Moth" contains a song ("Better People") dedicated to activists like those in the forests and out in the oceans defending whales, and how much people fighting for these causes inspire him.

"I really support the work being done by these activists and the energy they put in to protect Australia's ancient old growth forests. I hope to be able to cast an international spotlight onto their efforts. These people are heroes. I thank them for showing me around and I hope to come back soon," Xavier Rudd said.

Later in the afternoon Xavier played a gig at the Southern Roots festival with two forest banners behind him, and chatted to the crowd about the importance of saving the trees.

Xavier Rudd Yidaki Raffle

In the coming weeks we will be raffling off a beautiful Yidaki (didgeridoo) donated to us by Xavier Rudd. Handmade by Xavier's Yidaki maker, Nathan Burton (www.burtondidj.com), it has been crafted out of Woolly Butt (Eucalyptus miniota) and is signed by Xavier Rudd. It is 135cm long, a 30x34mm mouthpiece, and is in the key of G. Burton says: "Great for fast rhythms and in general a wicked all rounder. This may be small but has plenty of power and bite, thunderously loud volume, great tight bass drone and treble range with good vocals with an excellent easy horn." The Yidaki also features an inspiring forest message engraved into the wood.

Raffle tickets will be available online at www.huon.org and www.xavierrudd.com . All proceeds from raffle sales go directly to the Huon Valley Environment Centre's forest protection campaign fund. Details of raffle dates and prices will be available very soon, keep an eye on our email list and website!

Thanks to Xavier Rudd for all the love & support
Visit the forests info page on huon.org to see more photos

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Songs for Tassie's Forests

Bomba ... Hold Your Ground

Funk band Bomba have produced a fantastic song about the Weld Valley campaign and the Weld Ark. You can check out the song and video online at:
www.bomba.com
www.youtube.com/watch?v=Azu3PhLd2w8

Bomba are currently doing a national tour titled 'Hold Your Ground', and will be in Tasmania in July.

Milk ... All Aboard
Melbourne folk band Milk have produced a gorgeous song about the Weld Ark. They toured recently in Tassie and played the song live on local ABC radio. Yet t0 be released...keep an eye on their website for more details.
www.milktheband.com.au


Xavier Rudd ... Better People
From his new album 'White Moth', this stunning song is an ode to the people that inspire Xavier...those defending the whales, the old trees, feeding the hungry...Xavier recently came down to the Arve Valley in Tassie's Southern Forests where he talked with activists about the song and the forests. You can listen to the song and watch the video at:
www.xavierrudd.com
www.myspace.com/xavierrudd




Symbiosis ... Rise Up

Melbourne Gyp-Hop n' Reggae-Rock band recently held a fundraiser for the Huon Valley Environment Centre, and their dreamy song 'Rise Up' was written for the event. Yet to be released...but keep an eye on their websites for more details:
www.symbiosis.net.au
www.myspace.com/symbiosissounds

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The River of Life
By Starhawk

On March 8, International Women's Day, 2003, thousands of women marched on the White House in Washington DC, demanding peace and standing up for the values of caring and compassion. The march included a pageant of giant puppets and an attempt to encircle the White House with giant pink ribbon. Below is Starhawk's fable to inspire the pageant.

Once a people lived along the banks of the river of life…

The river of life is a river of sweet water, that awakens the seeds of spring and nourishes all growing things.
The river of life is a storm wind, blowing fresh across the earth.
The river of life is the deep molten fire that shakes the continents.

And the people should have had all they needed for happiness and joy,
But they were plagued by a terrible monster, the triple-headed monster of

Greed, Hate, and War.

Greed sucked up all the colors of life and locked them inside his fortress.
Hate severed the threads of love and taught the people to fear each other.
War threatened destruction to anyone who opposed the monster's rule.

And the people were separate, and afraid, and poor.
The threads of connection were frayed.
The fabric of care unraveled.
And War took the young and marched them off to slaughter and die in places far away.

Greed stole their future...

The river of life ran dry.

The women saw the springs go barren, the new sprouts fail, the trees die,

and the hills turn brown…

And they wept and mourned, and didn't know what to do.

The women, too, were divided, for some had more and some had less.
Old wounds and present injustices kept them apart.

But as War shook his fist, and threatened to unleash weapons to destroy the earth...

The women turned to each other; they said:

"We are scraps of a torn fabric, but if we tie them together,
we can bind wounds, dry tears,
weave a net to carry heavy loads.
"We must amplify love, and throw off dread,
Take back our power and spin a thread,
A life-line, held in our strong hands,
A living web of shining strands.

"And our hands remember how to spin.
We spin freedom on the rising wind,
We spin threads of life, the cords of fate,
We spin love into a river that can overrun hate.

"We spin justice burning like a flaming star;
We spin peace into a river that can overcome war.
And if you want to know where true power lies,
Turn and look into your sisters' eyes.

"So come mothers and grandmothers,
Lovers and daughters.
Come spinners and weavers,
Tool makers, potters,
Dancers and dreamers,
Fixers and changers,
Singers and screamers.
Forget all the dangers.
Come ancestors, guardians, Goddesses too,
You who teach us, you who speak true,
You who plant, and you who reap,
You who soar and you who creep,
You who cook, and you who drum,
You who have been, and you yet to come,
You who fight with the sword,
You who fight with the pen.
Unreasonable women,
Unmanageable men.
Come harpies and banshees and gorgons and Witches;
Come sweet loving hearts and furious bitches!"

"Break the chains that have kept us bound.
Weave a web to pull the monster down.
In the face of truth, no lie can stand.
Weave the vision, strand by strand.

"We are sweet water, we are the seed,
We are the storm wind to blow away greed.
We are the new world we bring to birth;
The river rising to reclaim the earth."

visit codepinkalert.org or starhawk.org for more info on Women for Peace
Image: Make Wool, by Sariah 2007

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Weld Valley Update

While there is despair there is action for peace

by Jenny Weber

Forestry Tasmania's ravenous thirst for ancient forest is seeing large areas plundered in the Weld Valley. For eight months now Weld forests have had logging for new roads, cable logging and clear felling reduce the forests to bare earth.

With a shebang the Weld Shutdown action at the end of March saw a Tasmanian first with a person suspended in a sit above the Weld River. An even more moving image was the Weld Angel atop a tripod at the entrance to the Tahune Airwalk for the entire day. At another entrance to the valley a defiant activist sat locked on at the Eddy Rd gate. Essentially the Weld Valley was shutdown.

Weld AngelThe first log truck arrived to cart forests to the mill at 2:30am in the morning. The bridge sit was pulled down in the afternoon four log trucks were waiting to roar through the forest and load up trees. Whilst activists were at the bridge they heard the creak and grind of cable loggers working in the large logging coupe, named WRO12C. A platypus played in the wild river and a Wedge-Tailed Eagle took to the air, maybe stirred by the startup of the cable logger.

It was not until 11am the cable logger started, after the Weld Angel prevented loggers from using the Tahune Airwalk for access. They were later ferried in by Forestry Tasmania vehicles at Tahune. The majority of the visitors were vocal in their support for the Weld Angel, many took photos standing in front of the structure.

The young passionate woman who was dressed as the Weld Angel is now facing a potential $5000 fine for the action. Please donate to a fighting fund to help her pay this outlandish attempt to silence people.

During May Forestry Tasmania started logging world heritage bordering forest and clear felling is happening in ancient forests 100 metres from the national park boundary. The area known as WRO15F is a steep near-alpine forest that has been visited for many years by hundreds of people on Huon Valley Environment Centre Open Days.

This is the logging industry at its worst, destroying not only the qualities of the high conservation value forests but threatening the World Heritage Area. Also in another area across the Weld Valley a new logging operation has pushed a road within close proximity to the World Heritage Area.

Activists formed a World Heritage Action Team and carried out tree-sit actions in response to the commencement of logging. These actions were in remote forest, three hours walk in from the nearest drop of point. In the first action a tree sit was suspended in a tree and cabled off to two log loading machines in the logging area. Logging of this ancient rainforest was halted for the day.

Whilst activists spent the hours here in this fresh logging area it was haunting to be so close to the World Heritage boundary. It was especially haunting to witness the destruction of such an ancient and fragile ecosystem in a remote part of the threatened Lower Weld Valley.15F action

Activists conducted a second action when a tree-sit structure was erected on a major logging route, to highlight the continued assault on World Heritage forests. 24 hour security guards had been employed to be in the remote forest and ferried the workers to continue logging, however log trucks were prevented from transporting logs for the day.

Forestry Tasmania attempts to excuse their logging by saying that buffer zones were placed within the National Park when declared to protect the area from activities such as logging. No part of Tasmania's national park was meant to be sacrificed through the use of 'buffer zones'. Clear felling these old growth forests so close to the World Heritage Area threatens these high conservation value areas with the potential introduction of weeds, escaped regeneration burns and other human impacts.

Huon Valley Environment Centre claims the State and Federal Governments are derelict in their duty of care for the Tasmanian Wilderness World Heritage Area. Activists on the ground are witnessing the move closer and closer by Government sanctioned logging practices to the World Heritage Area. It has been shown through many reports that the existing World Heritage Area fails to protect the tall ancient forests that are being plundered.

Logging has continued in the forests of the Weld, known to Forestry as WRO12C. The area in total planned for logging is 118 hectares. At this stage 55ha of forest are being cable logged. This logging has been happening since January and with two cable loggers a very devastating impact has been made. Two hillsides of forest have been cleared. There are plans to immediately continue with another 20 hectare clear felling operation in this area after the 55ha cable logging has finished.
WRO12C

Logging as I mentioned before has also occurred in the Barnback area, high above the Barnback and Eddy Creeks a new road has been carved in to high conservation value forests. These are old, old forests with big ancient tall forest and many understorey leatherwoods. On the flanks of the Snowy Range this new road has come in very close proximity to the World Heritage Area.

Barnback Extension Rd is 3.7km road in to ancient forest of tall Eucalyptus obliqua and regnans. There was an old road here that has been followed in some sections, though this extension also pushes a further 1.5km further than the old road. The logging operation begins at 300 metres altitude and has pushed a wedge in to the forest up to 600 metres.

The logging occurs in an area that there is a known Wedge-Tailed Eagle nest nearby. Forestry Tasmania are aware that they need to be out of the area by 1st of August for the eagle breeding period. Though they know they can come back and are setting up the ancient forest for the chopping block. Another threatened remote forest on the boundary of the World Heritage Area.

Also of very special value to the immediate area around the Barnback Extension logging, is the Little Denison Crayfish, endemic to the Little Denison Catchment region. Forestry Tasmania have sighted the crayfish in the Eddy and Barnback Catchments. The Little Denison Crayfish is a burrowing species and can be found some distance from a stream, in damp patches of ground/understorey.

For an endemic crayfish to be found in the Barnback and Eddy Catchments signifies vital conservation values and an urgent need for all logging to cease. The four species of those burrowing crayfish that are listed in Tasmania are of high conservation concern due to their severly restricted habitat ranges and the presence of actively threatening processes within these areas. Threatening processes include those that affect water quality and quantity, soil and food (wood/plant) availability. General road and drainage activities are a threat to the crayfish, all crayfish are very susceptible to any alteration of their environment during mating, moulting, nurturing their young and at times when they venture to the surface.

This new Barnback Extension road has been built to access a logging area on the boundary of the World Heritage Area. This is also the road that HVEC members were lead to believe would be North Weld Rd Stage 1. This was HVEC's idea of a nightmare road that was going to go across steep terrain and access a large area of ancient wilderness. Please see Will Mooney's update for more information about the proposed North Weld Rd.

For more details, photos and online videos from the Weld Valley campaign please visit: www.huon.org/weldvalley

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Southwood, the veneer peeled back
by Will Mooney

Ta Ann Holdings is a giant Malaysian logging company which has become the darling of the Tasmanian forestry sector. Boasting the title of "the world largest logging company in terms of capitalisation," Ta Ann has firmly installed itself in Tasmania through the development of two rotary peeled veneer mills, at Southwood in the Huon and in Smithton. With taxpayer funded help to the tune of some eight million, Ta Ann's veneer mills have become the much need good news story for pro-logging politicians Pul Lennon and Eric Abetz. But that's not the whole story.

On a chill Huon Valley morning in May, activists and community members gathered outside the huge southwood compound to voice their concerns at the opening the new mill. Police and security guards were on the ready, despite the small peaceful presence. In a flurry, convoys of Forestry executives, politicians and loggers sped up and through the gate. Busloads of Japanese media looked bemused as activists waved placards. Forestry Tasmania's Second in Charge Kim Creek yelled at activists to "F**k Off". Inside the compound, Liberal and Labor joined hands in unconditional praise for the new mill.

Ta Ann Holdings is a billion dollar logging company. In their home state of Sarawak they are closely involved in the conversion of rainforest to oil palm plantations. The booming oil palm industry is destroying biodiversity and dispossessing indigenous people who have used the forest for centuries. Ta Ann executives have been personally linked to nepotistic land-dealings and repression of indigenous groups who oppose logging on their land.

Its not surprising then that they would seek access to Tasmanian forests. By building a mill in Tasmania they can escape the damaging association with unsustainable and illegal logging which is commonplace within south east Asia. They can dupe Japanese customers
into believing that their Tasmanian product is "clean and green".

But the 'clean and green' tag is not much more than a sales pitch. The associated claim that the mill can only use "regrowth" also hides the reality that because of a dubious definition of "regrowth", pristine forests which have never seen an axe or a chainsaw can be destroyed to feed the mill. In the nearby Lower Weld Valley, spectacular high
conservation forests, which have never been logged or roaded but were subject to natural wildfire, will be targeted by Ta Ann. Forests like these will be destroyed to feed the mills appetite for over 200,000 tonnes of timber per year. The veneer produced from the mill is not a "finished product" but will go straight to Malaysia to Ta Ann's plywood factory.

And then there's the secret 20 year wood supply agreement with Forestry Tasmania. Tasmanians are not allowed to know what price Ta Ann is paying for the wood sourced from publicly owned forests, or what volume of timber will actually be supplied. When a Malaysian newspaper reported a price of A$68, Forestry Tas denied it. But they couldn't hide the fact that nearly eight million dollars of taxpayers money had been granted to Ta Ann to develop their mills. Just why a massive international logging corporation needs taxpayer funding has not been made clear.

With an old-growth forest-furnace also planned for the Southwood site, the Huon Valley Environment Centre will continue to monitor activities and inform Tasmanians about the impact of this destructive industrial development.

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Forestry Tasmania reveals change to three year plan
Destructive plans for Lower Weld Valley

by Will Mooney


The Huon Valley Environment Centre has condemned Forestry Tasmania's latest plans for the Lower Weld Valley which include a second bridge over the wild Weld River and new roading into pristine old growth and rainforest in the South Weld. Both operations will open up thousands of hectares of untouched ancient forest to destructive logging, high intensity burning, wildlife shooting and habitat destruction.

Since the destruction of the Weld Ark Camp in November 2006, Forestry Tasmania has pushed new roads and logged three coupes in pristine forests on both sides of the Valley. Their latest plans amount to a further assault on this world heritage value landscape.

For several years Forestry has been looking for ways to access a huge tract of pristine forests on the Northern banks of the Weld Valley, beneath the World Heritage Snowy Range. Their original plan for a road descending from the Denison area has been scrapped due to the incredibly steep and complex terrain. Now, the company plans to cut a new road through to the Weld River and construct a bridge to access the North Weld area. This is likely to be funded by taxpayers money allocated under the so-called "Tasmanian Community Forest Agreement". On the Southern side of the Valley, Forestry plans to extend the existing "South Weld Road" to access pristine old growth and rainforest adjacent to the boundary of the Tasmanian Wilderness World heritage Area.

These two new roads represent an assault on the key unprotected wilderness zones in the Lower Weld Valley. Free of roads, tracks and industrial activity, these virgin forests represent collective ecological assets, filtering our water, cleaning our air and storing vast amounts of carbon in the fight against global warming. So far, they have escaped the destructive influence of the Tasmanian logging industry. Now, in an act of willing environmental vandalism, Forestry Tasmania, at the behest of Tasmania's giant woodchip industry, will cut into the heart of these hidden treasures.

Forestry Tasmania will justify the destruction of wilderness quality in these areas and the vast waste of taxpayers money under the pretext of providing access for the leatherwood honey and special-species timber industries. However, any visitor to the Southern Forests can witness the daily destruction of leatherwood trees and special species timber. It is sheer hypocrisy to spend vast funds on opening new areas of leatherwood when existing accessible areas are being systematically clearfelled and burnt.

The Huon Valley Environment Centre will continue to highlight the value of these beautiful and wild forests, which belong to the Tasmanian public. If you would like to help the campaign please consider donating time, resources or money to the HVEC.
Log onto
www.huon.org for more information.
(Photo by Matt Newton of new roading in the lower Weld Valley)

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Logging crimes in the Arve Valley
by Jenny Weber

Just up past the Big Tree Reserve tourist attraction in the Arve Valley is a very big and very steep clearfell. It's finished after many months of savage cable logging. Forestry Tasmania (FT) recently released a statement that they had logged a large area of Arve Loop Reserve. Nearby a new area of ancient forest is being logged,Ancient Sassafras in the Arve Valley bordering the same reserve.

FT has stated, 4.25 hectares of the adjacent 921 hectare Arve Loop Reserve was logged, along with a strip of land designated by FT as a corridor for wildlife. The error in marking the boundary occurred more than 12 months ago, in May 2006, but the logging was not completed until February this year.

FT claims "An aerial photograph and a subsequent on-the-ground investigation by FT's Huon District staff indicate that logging has occurred outside a designated logging area. The breach was discovered when an aerial photograph showed a discrepancy in the actual shape of the logged area and the intended shape of the coupe as set out in the Forest Practices Plan."
FT's Executive General Manager Hans Drielsma said, "We have protocols in place to prevent these things happening, but on this occasion, it appears the protocols were not strictly followed."

Australian Greens Senator Bob Brown is calling for the police to be called in to deal with the reserve wreckers. "Those responsible for logging a large swathe of the Arve Forest Reserve in southern Tasmania must be prosecuted", Greens Senator Bob Brown said.

"This is an environmental crime and a breach of Tasmanian law, which requires that Forest Practices plans must be adhered to. The penalty for not abiding by a Forest Practices Plan is $100,000."

"The wood-chipping profits from destroying more than four hectares of this high conservation value reserve, which is also an important tourist asset on the way to the Tahune Airwalk, should be confiscated," Senator Brown said.

This criminal logging of reserved forest happened whilst an area known as AR34C was being cable logged. This area is one where activists previously visited and showed serious concerns about, it was high conservation forest, steep and leatherwood rich, and was subsequently cable logged. The forest was Eucalyptus regnans and delegatensis, and the logging area started at 300 metres and reached to 600 metres.
There were huge amounts of leatherwood lying on the forest floor. In October 2006 activists took action and staged a community walk in to coupe AR34C. Activists conducted an independent audit of operations, to highlight the ongoing destruction of Southern Tasmania's old-growth forests and dwindling leatherwood resource.

Now just down the hill another forest on the border of the same reserve is being decimated by logging. AR34C was 54 hectares and the new logging has commenced in AR41A and is 83 hectares. An ancient swathe of old growth forest down that is continuous with the Arve Loop reserve and another victim of the rapacious logging industry that is plundering many of the Huon Districts magnificent ancients.

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The Trouble with Palm Oil
by the Palm Oil Action Group


Palm Oil Consumer Campaign Launched in Australia

The Rainforest Information Centre along with the Palm Oil Action Group -- Australian Orangutan Project, Friends of the Earth and Borneo Orangutan Survival Foundation  - have launched a consumer campaign to bring awareness to the hugely devastating impact that palm oil plantations are having in Indonesia and Malaysia and to encourage citizen action.

To put it briefly, peatland rainforests are clearfelled, burnt and drained causing large scale loss of habitat to orangutans and other endangered species, huge greenhouse gas emissions and hardship for local communities who lose their land and their traditional ways.

Unsuspecting consumers may well be unaware that palm oil can be found in ice cream, chocolate, biscuits, chips, margarine, crackers, cooking oil, toothpaste, soap, detergents, cosmetics and more.
Among other things, the campaign asks consumers to write to food companies to urge them to transition to oils that are sourced through sustainable means. Food companies and government are also being asked to label products explicitly when palm oil is used rather than masking palm oil under the generic title of 'vegetable oil'.

We have beautiful A2 brochures that can be distributed or hung up as posters. If you would like some to help spread word, please email rainforestinfo@ozemail.com.au
For  further information, visit www.palmoilaction.org.au

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The Universe Responds:
Or, How I Learned We Can Have Peace On Earth

by Alice Walker, from Living by the Word


To some people who read the following there will seem to be something special or perhaps strange about me. I have sometimes felt this way myself. To others, however, what I am about to write will appear obvious. I think our response to 'strangeness' or 'specialness' depends on where we are born, where we are raised, how much idle time we have to watch trees (long enough at least to notice there is not an ugly one among them" swaying in the wind. Or to watch rivers, rainstorms, or the sea.

A few years ago I wrote an essay called 'Everything Is a Human Being,' which explores to some extent the Native American view that all of creation is one of one substance and therefore deserving of the same respect. I described the death of a snake that I caused and wrote of my remorse. I wrote the piece to celebrate the birth of Martin Luther King, Jr., and I read it first to a large group of college students in California. I also read it other places, so that by summer (I had written it in winter) it had been read three or four times, and because I cannot bear to repeat myself very much, I put it away.

That summer 'my' land in the country crawled with snakes. There was always the large resident snake, whom my mother named 'Susie', crawling about in the area that marks the entrance to my studio. But there were also lots of other wherever we looked. A black-and-white king snake appeared underneath the shower stall in the garden. A striped red-and-black one, very pretty, appeared near the pond. It now revealed the little hole in the ground in which it lived by lying half in and half out of it as it basked in the sun. Garden snakes crawled up and down the roads and paths. One day, leaving my house with a box of book in his arms, my companion literally tripped over one of these. We spoke to all these snakes in friendly voices. They went their way. We went ours. After about a two-week bloom of snakes, we seemed to have our usual number; just Susie and a couple of her children.

A few years later, I wrote an essay about a horse called Blue. It was about how humans treat horses and other animals; how hard it is for us to see them as the suffering, fully conscious, enslaved beings they are. It also marked the beginning of my effort to become non-meat-eating (fairly successful). After reading this essay in public only once, this is what happened. A white horse came and settled herself on the land. (Her owner, a neighbour, soon came to move her.) The two horses on the ranch across the road began to run up to their fence whenever I passed, leaning over it and making what sounded to my ears like joyful noises. They had never done this before (I checked with the human beings I lived with to be sure of this), and after a few more times of greeting me as if I'd done something especially nice for them, they stopped. Now when I pass they look at me with the same reserve they did before. But there is still a spark of recognition.
What to make of this?

What I have noticed in my small world is that if I praise the wild flowers growing on the hill in front of my house, the following year they double in profusion and brilliance. If I admire the squirrel that swings from branch to branch outside my window, pretty soon I have three of four squirrels to admire. If I look into the eyes of a raccoon that has awakened me by noisily rummaging through my garbage at night, and acknowledge that it looks maddeningly like a mischievous person - paws on hips, masked eyes, a certain impudent stance, as it looks back at me - I soon have a family of raccoons living in a tree a few yards off my deck. (From this tree they easily forage in the orchard at night and eat, or at least take bits out of, all the apples. Which is not fun. But that is another story). And then, too, there are the deer, who know they need never, ever fear me.

In white-directed movies about the Indians of the Old West, you sometimes see the 'Indians' doing a rain dance, a means of praying for rain. The message delivered by the moviemaker is that such dancing and praying is ridiculous, that either it will rain or it will not. All white men know this. The Indians are backward and stupid and wasting their time. But there is also that last page or so in the story of Black Elk, in which his anthropologist / friend John Neihart goes with him on a last visit to the Badlands to pray atop Harney Peak, a place sacred to the Sioux. It is a cloudless day, but the ancient Black Elk hopes that the Great Spirit, as in the real 'old' days, will acknowledge his prayer for the good of his people by sending at least a few drops of rain. As he prays, in his old, tired voice, mostly of his love of the Universe and his failure to be perfect, a small cloud indeed forms. It rains, just enough to say 'Yes.' Then the sky clears. Even today there is the belief among many Indigenous holy people that when a person of goodness dies, the Universe acknowledges the spirit's departure by sending storms and rain.

The truth is in the country, where I live much of the time, I am virtually overrun by birds and animals - raccoons, snakes, deer, horses (occasionally). During a recent court trial at which a neighbour and I both happened to find ourselves, her opening words of greeting included the information that two wild pigs she'd somehow captured had broken out and were, she feared, holed up somewhere on my land. But at least, I thought, my house in the city is safe.
But no.

One night after dinner, as some friends were leaving my house, I opened my front door, only to have a large black dog walk gratefully inside. It had obviously been waiting quietly on the stoop. It came into the hallway, sniffed my hands, and prepared to make itself at home, exactly as if it had lived in my house all its life. There was no nervousness whatsoever about being an intruder. No, no, I said, out you go! It did not want to go, but my friends and I persuaded it. It settled itself at the door and there it stayed, barking reproachfully until I went to bed. Very late that night I heard its owners calling it. George! they called. George! Here, George! They were cursing and laughing. Drunk. George made no response. I suddenly realised that George was not lost. He had run away. He had run away from these cursing, laughing drunks who were now trying to find him. This realisation meant the end of sleep for me that night as I lay awake considering my responsibility to George. (I felt none towards his owners). For George obviously 'knew' which house was at least supposed to be a stop on the underground railroad, and had come to it; but iI, in my city house, had refused to acknowledge my house as such. If I let it in, where would I put it? Then, too, I'm not particularly fond of the restlessness of dogs. They way they groan and fart in their sleep, chase rabbits in their dreams, a flop themselves over, rattling their chains (i.e., collars and dog tags).

George had run away from these drunks who 'owned' him, people no doubt unfit to own anything at all that breathed. Did they beat him? Did they tie him to trees and lampposts outside pubs (as I've often seen done) while they went inside and had drink after drink? Were all the 'lost' dogs one heard about really runaways? It hit me with great force that a dog I had once had, Myshkin, had undoubtedly run away from the small enclosed backyard in which he had been kept and in which he was probably going mad whereas I had for years indulged in the fantasy that he'd been stolen! No dog in his right mind would voluntarily leave a cushy prison run by loving humans, right? Or suppose George was a woman, beaten or psychologically abused by her spouse. What then? Would I let her in? I would, wouldn't I? But where to put George, anyway? If I put him in the cellar, he might bark. I hate the sound of barking. If I put him in the parlor, he might spread fleas. Who was this dog, anyway? George stayed at my door the whole night. In the morning I heard him bark, but by the time I was up, he was gone.

I think I am telling you that the animals of the planet are in desperate peril, and they are fully aware of this. No less than human beings are doing in all parts of the world, they are seeking sanctuary. But I am also telling you that we are connected to them at least as intimately as we are connected to trees. Without plant life human beings could not breathe. Plants produce oxygen. Without free animal life I believe we will lose the spiritual equivalent of oxygen. 'Magic,' intuition, sheer astonishment at the forms the Universe devises in which to express life - itself - will no longer be able to breathe is us. One day it occurred to me that if all the birds die, as the might well do, eventually, from the poisoning of their air, water, and food, it would be next to impossible to describe to our children the wonder of their flight. To most children, I think, the flight of a bird - if they've never seen one fly - would be imagined as stuff and unplayful, like the flight of an airplane.

But what I'm also sharing with you is this thought: The Universe responds. What you ask of it, it gives. The military-industrial complex and its leaders and scientists have shown more faith in this reality that have those of us who do not believe in war and who want peace. They have asked the Earth for all its deadlier substances. They have been confident in their faith in hatred and war. The Universe, ever responsive, the Earth, ever giving, has opened itself fully to their desires. Ironically, Black Elk and nuclear scientists can be viewed in much the same way: as men who received from it a sign reflective of their own hearts.

I remember when I used to dismiss the bumper sticker 'Pray for Peace.' I realise now that I did not understand it, since I also did not understand prayer; which I now know to be the active affirmation in the physical world of our inseparableness from the divine; and everything, especially the physical world, is divine. War will stop when we no longer praise it, or give it any attention at all. Peace will come wherever it is sincerely invited. Love will overflow every sanctuary given it. Truth will grow where the fertiliser that nourishes it is also truth. Faith will be its own reward.

Believing this, which I learned from my experience with the animals and wild flowers, I have found that my fear of nuclear destruction has been to a degree lessened. I know perfectly well that we may all die, and relatively soon, in a global holocaust, which was first imprinted, probably against their wishes, on the hearts of the scientist fathers of the atomic bomb, no doubt deeply wounded and frightened human beings; but I also know we have the power, as all the Earth's people, to conjure up the healing rain imprinted on Black Elk's heart. Our death is in our hands. Knock and the door shall be opened. Ask and you shall receive. Whatsoever you do to the last of these, you do also unto me - and to yourself. For we are one. 'God' answers prayers. Which is another way of saying, 'the Universe responds.' We are indeed the world. Only if we have reason to fear what is in our hearts need we fear for the planet. Teach yourselves peace.
Pass it on.

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